Few instruments play melancholia like the famed Wurlitzer Electronic Piano. Its touching tremolo is often overlooked but always critical to whatever tune employs it. Here are a few of my favorite examples:
-Neil Young – “See the Sky About to Rain” from On the Beach (1974) [buy]
Neil brings the piano to the center of this song, often sending Ben Keith’s slide guitar to the side. Nevertheless, they complement each other very well.
-Kris Kristofferson – “Epitaph (Black and Blue)” from The Silver Tongued Devil and I (1971)
This song inspired the post. The Wurlitzer is probably meant to lend a more funereal mood as if it wasn’t morbid enough with the vocal and string arrangements. (Buy this album. Fans of John Prine, take note.)
-Wilco – “Jesus, Etc.” from Yankee Hotel Foxtrot (2002) [buy]
Leave it to Wilco, classicists that they are, to prop the Wurlitzer up in the modern era. Its use here is primarily as a rhythm instrument under all the strings and plucking. It doesn’t so much sing as propel the song. A lot like Supertramp might use it. Did somebody mention Supertramp?! Man, that was a great band… like Boston, but not as loud and better.
-Supertramp – “The Logical Song” from Breakfast in America (1979) [buy]
The piano is the spine of this song and, indeed, much of the album. How about that sax solo halfway through? That’s killer. What a slick song, eh?
Any other examples you’d care to cite?
*Update (7-30-09): Adam brings up the Fender Rhodes piano, which certainly has its place among the great gear of the 60s and 70s. The Rhodes’ sound is a bit sharper and jazzier than the Wurlitzer. I usually associate it with Bitches Brew as played by the late, great Joe Zawinul. See Glenn’s homage and hear the Rhodes in action. Also hear Zawinul and Jan Hammer in two different fusion outfits featuring the Rhodes.
As for rock, Pink Floyd owed a lot of its sound on Dark Side to the Rhodes. Also, see the intro to “Sheep” from 1977’s Animals.
Posted by Jordy